Shahid Online – Redefined Cinema began with Jean-Luc Godard’s groundbreaking debut, Breathless (À bout de souffle), which was released 65 years ago. This film did not just challenge cinematic norms. It dismantled them entirely. In a 1964 interview Olivier Todd, Godard explained his vision: “It was a film which took everything the cinema had done girls, gangsters, cars exploded all this and put an end once and for all to the old style.” With its unconventional editing, raw storytelling, and innovative use of jump cuts, Breathless heralded a new era in filmmaking.
Redefined Cinema was Godard’s mission when he made Breathless. The film’s fragmented structure, offbeat dialogue, and semi-improvised approach were radical departures from the polished, literary adaptations dominating French cinema at the time. Though the plot follows Michel Poiccard (Jean-Paul Belmondo), a reckless criminal on the run, and his complicated romance with Patricia Franchini (Jean Seberg), its true focus was not crime or drama but the reinvention of cinematic language itself.
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Born in 1930 to affluent Franco-Swiss parents, Godard spent the decade before Breathless writing film critiques for Cahiers du Cinéma, where he and fellow critics like François Truffaut, Éric Rohmer, and Claude Chabrol debated the limitations of traditional filmmaking. Rejecting the theatrical artificiality of mainstream French films, they championed the idea of the “auteur”—a director whose personal vision shaped the entire film. With Breathless, Godard seized the opportunity to put these theories into action, breaking away from conventional storytelling.
Redefined Cinema was not just an artistic statement but a movement that reshaped global filmmaking. The post-war influx of American films into France had inspired young cinephiles like Godard. Who admired the directorial styles of Orson Welles, Alfred Hitchcock, and Howard Hawks. The Cahiers du Cinéma critics appreciated how these directors infused Hollywood genres with their personal artistic signatures. Leading to the birth of the French New Wave (La Nouvelle Vague).
When Godard made Breathless, he intentionally defied traditional cinematic techniques. “Conventions were exploded to make something with the remains, just as the debris is collected after an explosion. And when there is nothing useful left, we can start from scratch on fresh ground,” he said in 1964. His radical approach revolutionized cinema. Influencing generations of filmmakers and proving that innovation and risk-taking could redefine the art of storytelling on screen.
More than six decades later, Breathless remains a landmark in film history. A testament to how Godard’s vision continues to shape modern cinema.
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